Yorkshire Sculpture Park - Revisited


Last May, Nic and I visited, admired and vowed to return here; especially after I had fulfilled my other intention of entering the names of my grandchildren onto the 'Walk of Art' walkway ....

... seen here leading to the entrance of the Visitors Centre (also see earlier visit here).

And here they are on Plate 24. The plates could possibly be open to public view for a long number of years; not immortality but a visible marker with some expectation of longevity. There are still plates to be filled with names. For details, click here.

Over the entrance drive, and the first visible Henry Moore, a flight of Canada Geese honking as they go on their flight from there to there.

The featured sculptor this time was Eduardo Chillida (1924-2002), born in the Basque city of San Sebastian ...

... who favours heavy solid lumps, sheets and bars of steel as his raw material. Some of the exhibits weigh 20 tonnes. A convoy of lorries was required to bring them from Spain.

This is Chillida's "Homage to George Braque", the painter ...

... and 'Lotura XIX', which seemed to me to vaguely anthropomorphic, translates as 'Embrace #19'!

Old acquaintances were still in-situ: Borofsky's 'Molecule Man 1+1+1'.

And between the feet, there is an Elizabeth Frink figure striding out ...

... while another is seemingly lost in contemplation. Perhaps wondering where he left his trousers?

One I missed on my earlier visit: this Minotaur captures convincingly the monstrosity of the mythical creature.

Anthony Caro's "Promenade" still muscularly dominating the lower lawns. (Maybe there really is a bunker down below and these are the vents and ducts?)

The thaw had not cleared the lake completely of its ice.

Some sculpture cries out to be touched, patted or caressed. This sinuous Henry Moore certainly had a strong attraction for this young family. Without exception, all the pieces on external display are able to be explored in a tactile as well as visual manner.

Almost back at the Visitor Centre, Moore's "Mother and Child" seem aptly to be contemplating Chillida's "Buscanado la Luz IV" which translates as 'seeking the light'.

Sadly, no pleasant sunset on which to conclude. This, however, had been the weather at home the day before.

 

Return to Top

Collections

Home

.